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Hannibal Rising

Movie Review: Hannibal Rising
Stars (Out of 10): 6
One Word Summary: Dark
                                                                                                                                                                 Hannibal Rising             In 1944 Lithuania, the wealthy Lecter family retreats from their castle to a secluded cabin to escape the war around them. What befalls them is a horrifyingly violent ordeal which transforms young Hannibal Lecter into a vengeful, brooding killer. When he has grown up and begun to study medicine, Hannibal begins to hunt down the men who scarred his childhood with a vicious intent to make them pay, all the while being carefully watched by an inspector sympathetic to his experience.
            "Hannibal Rising” cannot really be grouped in with the other Hannibal films, because it presents the central character as a completely different kind of killer. His transformation from ruthless vengeance-seeker into a cunning, tactful cannibal does not make sense on the basis of the events and characterization of Hannibal in this film. Taken apart from the other films, it is just as unimpressive. The film is very predictable, and any surprises serve not to astonish but instead to disgust. The movie is unnecessarily and ineffectively dark, and its story acts to turn off viewers as opposed to drawing them in. While it runs only two hours, it feels much longer due to the unsatisfying nature of its plot and its dreadful writing.

              Obviously any actor who attempts to portray Hannibal Lecter has a supreme challenge ahead of him, given the incomparable grandeur of Anthony Hopkins’ Oscar-winning performance (Brian Cox actually played Hannibal in 1986’s “Manhunter,” and he did too a commendable job). Gaspard Ulliel seems to be trying his very best, and the writing is much more at fault than his acting efforts. Gong Li is unimpressive and missable as his aunt, who realizes his revenge-driven quest and chooses to aid rather than subdue him. Dominic West is also the victim of terrible writing, and his character comes across as a hapless cop rather than respectable, conflicted detective. Rhys Ifans, while a bizarre choice to portray a ruthless villain, does as good a job as can be expected for the character that has been written. The cast are unable, however, to act as a compelling whole.

 

The Bottom Line

 

The Bottom Line is that Peter Webber’s “Hannibal Rising” is an excessively dark film which should be taken entirely separately from the other Hannibal Lecter films. The film feels long and suffers mostly from dismal writing and meager performances.

 

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